For pictures of the exhibitions scroll below the exhibition list:
- 2020 ‘Platform Projects’, online event, Athens, Greece
- 2020, Search for traces ‘, EWA Women’s Center, Berlin, Germany
- 2019 Sustainable Art Installation, `Merging Layers`, Growing Together‘, Kommunalgalerie Karlshorst, Berlin, Germany
- 2019 ‘Stamp Alive Extra’, project room mp43, Berlin, Germany
- 2018 Dokumentation von: Nachhaltige Kunst Installation, `Minaminals III` ,Die Erde von der Wir
Leben‘, Projektraum Group Global 3000, Berlin, Deutschland - 2018, Erdfest 2018, ‘Minaminals II – Earth to Earth’, Kastanienboulevard, Berlin, Germany
- 2018, Kunst:Offen Marzahn/Hellersdorf, ‘Minaminals II – Earth to Earth’, Kastanienboulevard, Berlin, Germany
- 2018, ‘Voices of 50 Artists’, Yarta Purtly Gallery, Port Augusta, Australia
- 2018, ‘It’s Raining Cats and Dogs’, National Art Gallery of Namibia, Namibia
- 2016, ‘Inbetween’, Projektraum Galerie Mp43, Berlin, Germany
- 2016, ‘Topflappen’, Project Space Festival, Projektraum Galerie Mp43, Berlin, Germany
- 2016, ‘StampAlive’, Projektraum Galerie Mp43, Berlin, Germany
- 2016, ‘Just?’, The National Art Gallery of Namibia, Windhoek, Namibia
- 2015, ‘The Dune Land Art Project’, Penduka, Windhoek, Namibia (combined work with Sandra Schmidt)
- 2015, ‘Tulipamwe International Artist Workshop Exhibition’, National Art Gallery of Namibia, Windhoek/Gobabeb, Namibia
- 2015 ‘Back and Forth’, The Nexus Gallery, Adelaide, Australia
- 2014 ‘Windhoek Wordfees’, The Opera House, Windhoek, Namibia
- 2014 ‘Life on the Edge’, Arid Lands Botanic Garden, Port Augusta, Australia
- 2014 ‘Bank Windhoek Triennal’, National Art Gallery of Namibia, Windhoek, Namibia
- 2014 ‘Sculptures in Public Places’, Franco Namibian Cultural Centre, Windhoek, Namibia
- 2013 Duo exhibition with Niina Turtola, ‘Down the Rabbit Hole’, National Art Gallery of Namibia, Windhoek, Namibia
- 2013 ‘Land Matters in Art’, National Art Gallery of Namibia/Omba Gallery/Franco Namibian Cultural Centre/Goethe Centre, Windhoek, Namibia
- 2012 ‘Women Artists Namibia’, National Art Gallery of Namibia, Windhoek
- 2009 Visual Artists Namibia Exhibition, Omba Gallery, Windhoek, Namibia
- 2007 Glasid Foundation Exhibition, John Muafangejo Art Centre, Windhoek, Namibia, 2007
- 2006 Visual Artists Namibia Exhibition, John Muafangajo Art Centre, Windhoek, Namibia
- 2004 Group Exhibition, L’ecole des Beaux Arts, Marseilles, France
- 2004 //AE//Gams Festival, John Muafangejo Art Centre, Windhoek, Namibia
- 2004 Final Year Student Exhibition University of Namibia, National Art Gallery of Namibia, Windhoek, Namibia
- 2001-2004 Annual Student Exhibition, University of Namibia, Windhoek, Namibia
- 1998 International Paint Pals, ‘A Drug Free World: We Can Do It’& ‘Peace, Goodwill, & Friendship through Sport & Recreation’ Exhibition, New York, USA
2018, ‘Voices of 50 Artists’, Yarta Purtly Gallery, Port Augusta, Australia
Poster_Voices of 50 Artists
Back and Forth Multimedia Installation (Photo: Melanie Sarantou)
2018, ‘It’s Raining Cats and Dogs’, National Art Gallery of Namibia, Namibia
Exhibition Poster Design by NAGN
Sound Installation with city view (Photo: Sascha-J. Bachmann)
Photos taken by Sascha-J. Bachmann
2016, ‘Inbetween’, Projektraum Galerie Mp43, Berlin, Germany
Invitation Design Exhibition Inbewteen
Exhibition Participants
Photo: Carola Rümper
Photo: Carola Rümper
Kirsten Wechslberger performance: Conscious Connections Photo: Carola Rümper
Kirsten Wechslberger performance: Conscious Connections Photo: Carola Rümper
2016, ‘Topflappen’- Project Space Festival, Gallery Mp43, Berlin, Germany
2016, ‘Demarginalize’, Projektraum mp43, Berlin
Playing/Performing ‘Demarginalized’ Photo: Carola Rümper
Wooden Blocks Photo: Kirsten Wechslberger
Poster for Topflappen
2016, ‘StampAlive’, Gallery Mp43, Berlin, Germany
Stamp Alive Project
Stamps
Artist Talk Projektraum mp43
Artwork Performance Back and Forth Photo for Stamp Alive Project
Artwork Video Installation ‘Borders’ Photo for Stamp Alive Project
Exhibition attendees
Carola Rümper Performance
2016, ‘Just?’, The National Art Gallery of Namibia, Windhoek, Namibia
Demarginalized being played at the NAGN
Demarginalized played at the NAGN
2015, ‘The Dune Land Art Project’, Penduka, Windhoek, Namibia (combined work with Sandra Schmidt)
2015, ‘The Dune Land Art Project’, Penduka, Windhoek, Namibia (Combined Artwork by Kirsten Wechslberger & Sandra Schmidt)
2015, ‘The Dune Land Art Project’, Penduka, Windhoek, Namibia (Combined Artwork by Kirsten Wechslberger & Sandra Schmidt)
2015, ‘Tulipamwe International Artist Workshop Exhibition’, National Art Gallery of Namibia, Windhoek/Gobabeb, Namibia
Poster Tulipamwe Artist Workshop
2015, ‘The Edge’. Gobabeb, Namib Desert, Namibia. Land Art Piece. This work speaks about how boundaries and or edges can be seen in a positive light as well. When things/places/people meet something new is created by their interaction and this new creativity is what drives us. I built a wall with old pallets, wood, soil, manure and hessian with a sprinkling system inside for the plants. Both sides of the wall were planted…one with indigenous plants from the area and one with herbs and vegetables that one can find in most gardens around the world. The idea is for the plants to grow and spread…or not…on their own. The food produced can be used by the local community. Nature will take over and create something new and hopefully transform the border/boundary into a fertile space for plants to thrive.
2015, ‘The Edge’. Gobabeb, Namib Desert, Namibia. Land Art Piece. This work speaks about how boundaries and or edges can be seen in a positive light as well. When things/places/people meet something new is created by their interaction and this new creativity is what drives us. I built a wall with old pallets, wood, soil, manure and hessian with a sprinkling system inside for the plants. Both sides of the wall were planted…one with indigenous plants from the area and one with herbs and vegetables that one can find in most gardens around the world. The idea is for the plants to grow and spread…or not…on their own. The food produced can be used by the local community. Nature will take over and create something new and hopefully transform the border/boundary into a fertile space for plants to thrive.
2015, ‘The Edge’. Gobabeb, Namib Desert, Namibia. Land Art Piece. This work speaks about how boundaries and or edges can be seen in a positive light as well. When things/places/people meet something new is created by their interaction and this new creativity is what drives us. I built a wall with old pallets, wood, soil, manure and hessian with a sprinkling system inside for the plants. Both sides of the wall were planted…one with indigenous plants from the area and one with herbs and vegetables that one can find in most gardens around the world. The idea is for the plants to grow and spread…or not…on their own. The food produced can be used by the local community. Nature will take over and create something new and hopefully transform the border/boundary into a fertile space for plants to thrive.
2015, ‘The Edge’. Gobabeb, Namib Desert, Namibia. Land Art Piece. This work speaks about how boundaries and or edges can be seen in a positive light as well. When things/places/people meet something new is created by their interaction and this new creativity is what drives us. I built a wall with old pallets, wood, soil, manure and hessian with a sprinkling system inside for the plants. Both sides of the wall were planted…one with indigenous plants from the area and one with herbs and vegetables that one can find in most gardens around the world. The idea is for the plants to grow and spread…or not…on their own. The food produced can be used by the local community. Nature will take over and create something new and hopefully transform the border/boundary into a fertile space for plants to thrive.
2015, ‘The Edge’. Gobabeb, Namib Desert, Namibia. Land Art Piece. This work speaks about how boundaries and or edges can be seen in a positive light as well. When things/places/people meet something new is created by their interaction and this new creativity is what drives us. I built a wall with old pallets, wood, soil, manure and hessian with a sprinkling system inside for the plants. Both sides of the wall were planted…one with indigenous plants from the area and one with herbs and vegetables that one can find in most gardens around the world. The idea is for the plants to grow and spread…or not…on their own. The food produced can be used by the local community. Nature will take over and create something new and hopefully transform the border/boundary into a fertile space for plants to thrive.
Poster Tulipamwe Artist Workshop
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015 ‘Back and Forth’, The Nexus Gallery, Adelaide, Australia
http://nexusarts.org.au/2015/06/05/back-and-forth-meg-wilson-and-kirsten-wechslberger/
2015, ‘Back & Forth’, Duo-exhibition with Meg Wilson. Nexus Gallery, Adelaide, Australia Multimedia Artwork – Video Performances, Shoes, Swing, Sound, Tape
2015, ‘Back & Forth’, Duo-exhibition with Meg Wilson. Nexus Gallery, Adelaide, Australia Multimedia Artwork – Video Performances, Shoes, Swing, Sound, Tape
2015, ‘Back & Forth’, Duo-exhibition with Meg Wilson. Nexus Gallery, Adelaide, Australia Multimedia Artwork – Video Performances, Shoes, Swing, Sound, Tape
2015, ‘Back & Forth’, Duo-exhibition with Meg Wilson. Nexus Gallery, Adelaide, Australia Multimedia Artwork – Video Performances, Shoes, Swing, Sound, Tape
2014 ‘Windhoek Wordfees’, The Opera House, Windhoek, Namibia
http://www.republikein.com.na/byvoegsels/kuns-maak-mooi-windhoek-woordfees.231158
2014 ‘Life on the Edge’, Arid Lands Botanic Garden, Port Augusta, Australia
First Prize 2014, ‘The $Edge’, Arid Lands Sculpture Festival, Port Augusta, Australia. Ephemeral Bio-plastic and Sand Installation
2014, ‘The $Edge’, Arid Lands Sculpture Festival, Port Augusta, Australia. Ephemeral Bio-plastic and Sand Installation
http://aridfestival.wordpress.com/special-events/kristen-wechslberger-namibian-artist-residency/ http://artsouthsouth.com/ http://www.az.com.na/kultur-unterhaltung/mit-ameisen-gegen-den-kapitalismus.420441 http://www.az.com.na/kultur-unterhaltung/aus-der-perspektive-der-ameise.420842
2014 ‘Bank Windhoek Triennal’, National Art Gallery of Namibia, Windhoek, Namibia
2014 ‘Sculptures in Public Places’, Franco Namibian Cultural Centre, Windhoek, Namibia
2013, ‘Broken Wing’ Sculptures in Public Places, Franco Namibian Cultural Centre, Windhoek, Namibia. Soapstone Sculpture
2013, ‘Broken Wing’ Sculptures in Public Places, Franco Namibian Cultural Centre, Windhoek, Namibia. Soapstone Sculpture
http://www.fncc.org.na/mvula1.php
2013 Duo exhibition with Niina Turtola, ‘Down the Rabbit Hole’, National Art Gallery of Namibia, Windhoek, Namibia
Love:
Fear:
Exhibition Poster – Design Niina Turtola
Mixed Media 2013, Duo Exhibition with Niina Turtola, ‘Love Matters Down the Rabbit Hole’, National Art Gallery of Namibia, Windhoek, Namibia. Mixed Media Installation String, Light, Video, Sound. 5mx3mx2m
2013, Duo Exhibition with Niina Turtola, ‘Love Matters Down the Rabbit Hole’, National Art Gallery of Namibia, Windhoek, Namibia. Mixed Media Installation String, Light, Video, Sound. 5mx3mx2m
Mixed Media 2013, Duo Exhibition with Niina Turtola, ‘Love Matters Down the Rabbit Hole’, National Art Gallery of Namibia, Windhoek, Namibia. Mixed Media Installation String, Light, Video, Sound. 5mx3mx2m
Newspaper Articles:
2013 ‘Land Matters in Art’, National Art Gallery of Namibia/Omba Gallery/Franco Namibian Cultural Centre/Goethe Centre, Windhoek, Namibia
http://www.land-matters-in-art.com/selected-artists/ http://www.land-matters-in-art.com/press/ http://www.az.com.na/kultur/bilder-auf-glas-als-chance-fr-namibia.21630.php
2004 Final Year Student Exhibition University of Namibia, National Art Gallery of Namibia, Windhoek, Namibia
https://www.az.com.na/nachrichten/jung-aber-nicht-unreif (Allegemeine Zeitung Namibia)
Kirsten Wechslberger 