- 2017 ”Demarginalized’, Trixiewiz e.V., Berlin, Germany
- 2017 ”Demarginalized’, InterKULTURelles Haus, Kulturellen Wochen, Berlin, Germany
- 2016 ‘Conscious Connection’, interactive performance, Gallery Projektraum mp43, Berlin, Germany
- 2016 ‘I Visualize’, Gallery Projektraum mp43, Berlin, Germany
- 2016 ‘Demarginalized’, Sonntagsclub e.V., Kulturellen Wochen, Berlin, Germany
- 2016 ‘ CRN- Comment Remark Notice’, Independence Avenue, Windhoek, Namibia
- 2015 ‘Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia
- 2015 ‘Shaping Identity’, Franco Namibian Cultural Centre, Windhoek, Namibia
- 2012 ‘Label’, Maerua Mall Shopping Mall, Windhoek, Namibia
- 2012 ‘Conscious Connection’, interactive performance, Goethe Centre Auditorium, Windhoek, Namibia
- 2012 ‘Connections’, interactive performance, Goethe Centre Auditorium, Windhoek, Namibia
2017 ”Demarginalized’, Trixiewiz e.V., Berlin, Germany
2017 ”Demarginalized’, InterKULTURelles Haus, Kulturellen Wochen, Berlin, Germany
2017 ”Demarginalized’, InterKULTURelles Haus, Kulturellen Wochen, Berlin, Germany
2016 ‘ CRN- Comment Remark Notice’, Independence Avenue, Windhoek, Namibia
http://www.namibian.com.na/index.php?page=read&id=36902
2015 ‘Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
2015, “Archived Memories’, National Art Gallery of Namibia, Windhoek, Namibia. This is a live, interactive performance art piece. There are 169 personal memories about beds and mattresses that I recorded as a catalogue. I made corresponding tags from clay and recorded the 169 numbers from the catalogue on them. The audience was allowed to chose a memory tag and I would read the corresponding memory in the catalogue to them. Memories included: childhood memories until current.
https://www.youtube.com/watch?v=9HU1TEPQTmk (Part1)
2015 ‘Shaping Identity’, Franco Namibian Cultural Centre, Windhoek, Namibia
2015, ‘Identity’, Performance, Franco Namibian Cultural Center, Namibia
2015, ‘Identity’ – Performance Art, Franco Namibian Cultural Centre, Windhoek, Namibia
‘Shaping Identity’ – Performance Art, Franco Namibian Cultural Centre, Windhoek, Namibia, 2015
http://www.namibian.com.na/indexx.php?id=24932&page_type=story_detail&category_id=19
2012 ‘Label’, Maerua Mall Shopping Mall, Windhoek, Namibia
2012, ‘Label’, Maerua Mall, Windhoek, Namibia.Wechslberger stood in the self-made glass box and provided people andpassers-by, her co-actors, with stickers and markers to label her.
2012, ‘Label’, Maerua Mall, Windhoek, Namibia.Wechslberger stood in the self-made glass box and provided people andpassers-by, her co-actors, with stickers and markers to label her.
2012, ‘Label’, Performance Maerua Mall, Windhoek, Namibia
2012, ‘Label’, Maerua Mall, Windhoek, Namibia.Wechslberger stood in the self-made glass box and provided people andpassers-by, her co-actors, with stickers and markers to label her.
2012, ‘Label’, Maerua Mall, Windhoek, Namibia.Wechslberger stood in the self-made glass box and provided people andpassers-by, her co-actors, with stickers and markers to label her.
2012, ‘Label’, Maerua Mall, Windhoek, Namibia.Wechslberger stood in the self-made glass box and provided people andpassers-by, her co-actors, with stickers and markers to label her.
2012, ‘Label’, Maerua Mall, Windhoek, Namibia.Wechslberger stood in the self-made glass box and provided people andpassers-by, her co-actors, with stickers and markers to label her.
2012, ‘Label’, Maerua Mall, Windhoek, Namibia.Wechslberger stood in the self-made glass box and provided people andpassers-by, her co-actors, with stickers and markers to label her.
2012, ‘Label’, Maerua Mall, Windhoek, Namibia.Wechslberger stood in the self-made glass box and provided people andpassers-by, her co-actors, with stickers and markers to label her.
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http://www.az.com.na/gesellschaft/die-frau-im-glsernen-kfig.148975.php
2012 ‘Conscious Connection’, interactive performance, Goethe Centre Auditorium, Windhoek, Namibia
2012, ‘Concious Connections’, Goethe Centre Auditorium, Windhoek, Namibia. This performance art symbolises the fragile nature of the connections between people.
2012, ‘Concious Connections’, Goethe Centre Auditorium, Windhoek, Namibia. This performance art symbolises the fragile nature of the connections between people.
2012, ‘Concious Connections’, Goethe Centre Auditorium, Windhoek, Namibia. This performance art symbolises the fragile nature of the connections between people.
2012, ‘Concious Connections’, Goethe Centre Auditorium, Windhoek, Namibia. This performance art symbolises the fragile nature of the connections between people.
2012, Participatory Performance, ‘Conscious Connections’, Goethe Institute, Windhoek, Namibia. This performance art symbolises the fragile nature of the connections between people.
2012, Participatory Performance ‘Conscious Connections’, Goethe Institute, Windhoek, Namibia. This performance art symbolises the fragile nature of the connections between people.
2012, ‘Concious Connections’, Goethe Institute, Namibia. This performance art symbolises the fragile nature of the connections between people.
2012 ‘Connections’, interactive performance, Goethe Centre Auditorium, Windhoek, Namibia
2012, ‘Connections’, Goethe-Centre Auditorium, Windhoek, Namibia. Audience at my exhibition were connected with string.
2012, ‘Connections’, Goethe-Centre Auditorium, Windhoek, Namibia. Audience at my exhibition were connected with string.
2012, Participatory Performance ‘Connections’, Goethe-Centre Auditorium, Windhoek, Namibia. Audience at my exhibition were connected with string.
2012, ‘Connections’, Goethe-Centre Auditorium, Windhoek, Namibia. Audience at my exhibition were connected with string.
2012, Participatory Performance ‘Connections’, Goethe Institute, Windhoek, Namibia. Audience at my exhibition were connected with string.
2012, ‘Connections’, Goethe-Centre Auditorium, Windhoek, Namibia. Audience at my exhibition were connected with string.
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